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Q: The TBS cartoon series "Super Jetter", because it had no original work, was the "core patent" for the development of character merchandising. In fact, since TBS had control of the planning and thus prepared everything from character designs to scripts, the "core patent" was interpreted as belonging to TBS, and royalties from character merchandise were monopolized by TBS (the scriptwriters who materialized the project also received a share, but it was a kind of success fee). sembra naturale?
A: It sounds natural to me!!
Q: Meanwhile, why hadn't TBS tried to get a monopoly on the merchandising royalties from the "Super Jetter" characters? Because they didn't consider the main character, Super Jetter, his girlfriend (Lois Lane, by the way, was the model) and the other main characters to be exclusively "patented" by TBS. sembra naturale?
A: × Because they didn't consider the main character, Super Jetter, his girlfriend (Lois Lane, by the way, was the model) and the other main characters to be exclusively "patented" by TBS.
✓ They didn't consider the protagonist, Super Jetter, his girlfriend (modeled after Louis Lane) and the other main characters to be exclusively "patented" by TBS.

Q: Yet that's what the TBS executive did when he (and the dealer Fujita) met with the ABC executives. He thought that selling "Eighth Man" to ABC Network was like exporting Japanese-made TV sets or cars to the American market. But ABC interpreted it as a Japanese TV station coming to sell "patents." They made contracts and got all the "patents" for "Eighth Man" --- exclusively outside Japan. sembra naturale?
A: "ABC Network" sounds weird to me but I don't know enough about TV networks to say if it's actually wrong or if I just don't usually hear it that way
Q: The TBS channel (see page X) needed a new television animation studio in order to increase the number of cartoons broadcast. So they approached a puppet theater company and urged them to create a cartoon studio for television, saying, "Isn't it the same to children, even if they are puppets or cartoons? TBS then became the major shareholder of the new studio Tokyo Movie.

[Continued on https://hinative.com/ja/questions/18454034] sembra naturale?
A: × The TBS channel (see page X) needed a new television animation studio in order to increase the number of cartoons broadcast.
✓ The TBS channel (see page X) needed a new animation studio in order to increase the number of cartoons they broadcast.

× So they approached a puppet theater company and urged them to create a cartoon studio for television, saying, "Isn't it the same to children, even if they are puppets or cartoons?
✓ So they approached a puppet theater company and urged them to create an animation studio for television, saying: "Is it not the same thing to the children?"

× TBS then became the major shareholder of the new studio Tokyo Movie.
TBS then became the major shareholder of the new studio "Tokyo Movie".

Q: It is questionable whether or not the TBS had a truly correct understanding of the American peculiar law theory regarding cartoon characters at the time. After all, regardless of the competence of the staff of TBS's copyright division, the only material for analysis and research on this issue was the contract written in English for the "Eighth Man" show prepared by the American television network when TBS sold the films to it. Moreover, even though they had clearly analyzed and learned the American theory at the time, the way to develop business by treating cartoon characters as something equivalent to a basic patent for a cartoon show or comic book title was too advanced and too pragmatic American for Japanese businessmen to understand back then.

Therefore, TBS developed a Japanese way of marketing cartoon characters: it planned and developed its own "work" (the actual production was commissioned by an outside studio), claiming that it had the exclusive rights to completely control the secondary use of the main characters, and if someone tried to sell them as products without TBS's permission, it would warn to him, claiming that it was infringing the "adaptation" rights of the work.

[Continued on https://hinative.com/ja/questions/18134235] sembra naturale?
A: × It is questionable whether or not the TBS had a truly correct understanding of the American peculiar law theory regarding cartoon characters at the time.
✓ It is questionable whether or not the TBS truly had a correct understanding of the peculiar American law theory regarding cartoon characters at the time.

× After all, regardless of the competence of the staff of TBS's copyright division, the only material for analysis and research on this issue was the contract written in English for the "Eighth Man" show prepared by the American television network when TBS sold the films to it.
✓ After all, regardless of the staff’s competence of TBS's copyright division, the only material for analysis and research on this issue was the contract written in English for the "Eighth Man" show prepared by the American television network when TBS sold them the films.

× Therefore, TBS developed a Japanese way of marketing cartoon characters: it planned and developed its own "work" (the actual production was commissioned by an outside studio), claiming that it had the exclusive rights to completely control the secondary use of the main characters, and if someone tried to sell them as products without TBS's permission, it would warn to him, claiming that it was infringing the "adaptation" rights of the work.
✓ Therefore, TBS developed a Japanese way of marketing cartoon characters: it planned and developed its own "work" (the actual production was commissioned by an outside studio), claiming that it had the exclusive rights to completely control the secondary use of the main characters. If someone tried to sell them as products without TBS's permission, it would warn to him, claiming that it was infringing the "adaptation" rights of the work.

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