- Giapponese
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Cinese semplificato (Mandarino)
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Inglese (Stati Uniti)
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Francese (Francia)
[Continued from https://hinative.com/ja/questions/18127175]
Their strategy was reminiscent of the way Mickey Mouse went from being an animated movie to an everyday product and then to comic strips. It, however, did not mean that TBS realized the American legal theory that "cartoon characters, though fictional, should be treated like real celebrities," i.e., "Cartoon characters are intellectual property," and studied it and implemented it in Japan. It looks like it, but in fact it was the antithesis of the very American-peculiar legal theory.
The idea of treating the cartoon character as a de facto core patent was very easy to use in procedures and contracts such as adaptations and merchandising. On the other hand, as analyzed in earlier pages, it has dramatically advanced the artistic expression of comic strips and animation. In other words, the cartoon character was not only a source of creativity in 20th century entertainment visual arts, but also the embodiment of ruthless conflicts of interests in the visual entertainment industry.
[Continued on https://hinative.com/ja/questions/18127317] sembra naturale?
Their strategy was reminiscent of the way Mickey Mouse went from being an animated movie to an everyday product and then to comic strips. It, however, did not mean that TBS realized the American legal theory that "cartoon characters, though fictional, should be treated like real celebrities," i.e., "Cartoon characters are intellectual property," and studied it and implemented it in Japan. It looks like it, but in fact it was the antithesis of the very American-peculiar legal theory.
The idea of treating the cartoon character as a de facto core patent was very easy to use in procedures and contracts such as adaptations and merchandising. On the other hand, as analyzed in earlier pages, it has dramatically advanced the artistic expression of comic strips and animation. In other words, the cartoon character was not only a source of creativity in 20th century entertainment visual arts, but also the embodiment of ruthless conflicts of interests in the visual entertainment industry.
[Continued on https://hinative.com/ja/questions/18127317] sembra naturale?
- Inglese (Stati Uniti)
Un po' strano
[Continued from https://hinative.com/ja/questions/18127175]
Their strategy was reminiscent of the way Mickey Mouse went from being an animated movie to an everyday product, and then to comic stripscomics.
Their strategy was reminiscent of the way Mickey Mouse went from being an animated movie to an everyday product, and then to comic stripscomics.
It, however, did not mean that TBS realized the American legal theory. It highlights the belief that "cartoon characters, though fictional, should be treated like real celebrities,." i.e.,It "Cartoonalso explains that cartoon characters are intellectual property. So," with the lack of this realization, they and studied it and implemented it in Japan.
It, however, did not mean that TBS realized the American legal theory. It highlights the belief that "cartoon characters, though fictional, should be treated like real celebrities,." i.e.,It "Cartoonalso explains that cartoon characters are intellectual property. So," with the lack of this realization, they and studied it and implemented it in Japan.
ItThis looks like it, but in fact it was the exact antithesis of the very American-peculiar legal theory.
ItThis looks like it, but in fact it was the exact antithesis of the very American-peculiar legal theory.
The idea of treating the cartoon character as a de facto core patent was very easy to use in procedures and contracts such as adaptations and merchandising.
On the other hand, as analyzed in earlier pages, it has dramatically advanced the artistic expression of comic strips and animation.
In other words, the cartoon character was not only a source of creativity in 20th century entertainment visual arts, but also the embodiment of ruthlessmany conflicts of interests in the visual entertainment industry.
In other words, the cartoon character was not only a source of creativity in 20th century entertainment visual arts, but also the embodiment of ruthlessmany conflicts of interests in the visual entertainment industry.
[Continued on https://hinative.com/ja/questions/18127317]
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